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*SELF-HELP FROM OTHERS: *

You say I need a job
I got my own business
You wanna know what I do?
None of your fucking business!
Fugazi- "Repeater"

Everything I like to do is either illegal, immoral, or fattening.
Alexander Woolcott

You can only be young once
but you can always be immature.
Dave Barry

It is convenient
that there should be gods,
so let us believe that there are!
Ovid

The colon has more effect than the comma,
less power to separate than the semicolon,
and more formality than the dash.
Strunk and White
The Elements of Style




*BOOKS CURRENTLY READING: *
The Collected Poems of W. B. Yeats
by W. B. Yeats [1996]
Engineering in the Ancient World:
Revised Edition

by J. G. Landels [2000]
The Meters of Greek and Latin Poetry
by James W. Halporn [1994]
European Literature
And the Latin Middle Ages

by Ernst Robert Curtius [1973]
The Jugurthine War and
The Conspiracy of Catiline

by Sallust [1963 translation]
Introduction to Manuscript Studies
by Raymond Clemens [2007]
Anthology of European Romantic Poetry
by Michael Ferber [2005]

*BOOKS COMPLETED: *
summer 2005
The Aeneid
by Vergil [trans. 1981]
Romaji Diary and Sad Toys
by Takuboku Ishikawa [1909 & 1912]
Greece in the Making: 1200-429 BC
by Robin Osborne [1996]
Spectacles of Death in Ancient Rome
by Donald G. Kyle [1998]
Roman Aqueducts and Water Supply
by A. Trevor Hodge [1992]
fall 2005
What's The Matter With Kansas?
by Thomas Frank [2004]
Maus II
by Art Spiegelman [1986]
Sapphics Against Anger
by Timothy Steele [1986]
The Diamond Age
or A Young Lady's Illustrated Primer

by Neal Stephenson [1995]
The Decline and Fall of the Roman Empire
by Edward Gibbon
[abrdg. 1987]
spring 2006
Law, Sexuality, and Society:
The Enforcement of Morals in Classical Athens

by David Cohen [1991]
Kosmos: Essays in Order,
Conflict and Community in Classical Athens

edited by Paul Cartledge, Paul Millett
and Sitta von Reden [1998]
summer 2006
As The Romans Did: A Sourcebook
In Roman Social History (Second Edition)
by
Jo-Ann Shelton [1998]
Franz Kafka: The Complete Stories
by Franz Kafka [trans. 1971]
Understanding Greek Vases:
A Guide to Terms, Styles, and Techniques

by Andrew J. Clark, Maya Elston,
and Mary Louise Hart [2002]
The Annals of Imperial Rome
by Tacitus [trans. 1956]
Four Plays By Aristophanes
by Aristophanes [trans. 1961/1962/1964]
Early Greek Vase Painting
by John Boardman [1998]
The Iliad
by Homer [trans. 1974]
The Reign of the Phallus:
Sexual Politics in Ancient Athens

by Eva C. Keuls [1985]
Crabwalk
by Günter Grass [2002]
The Picture of Dorian Gray
by Oscar Wilde [1891]
A Portrait of the Artist as a Young Man
by James Joyce [1916]
The Poetry of Friedrich Nietzsche
by Philip Grundlehner [1986]
Ancient Greek Laws: A Sourcebook
by Ilias Arnaoutoglou [1998]
Pu der Bär
by A. A. Milne [deutsch edition: 1973]
Interpreting Greek Tragedy:
Myth, Poetry, Text

by Charles Segal [1986]
Greek Tragedy
by Erich Segal [1983]
Revenge in Attic and Later Greek Tragedy
by Anne Pippin Burnett [1998]
The Birth of Tragedy
by Friedrich Nietzsche [1871]
fall 2006
Art and Experience in Classical Greece
by J. J. Pollitt [1972]
The Oresteia
by Aeschylus [date forgotten]
Greek Sculpture: The Late Classical Period
by John Boardman [1995]
The Sculptures of the Parthenon:
Aesthetics and Interpretation

by Margaretha Rossholm Lagerlöf [2000]
The Decline and Fall of Virgil
in Eighteenth-Century Germany
THE REPRESSED MUSE

by Geoffrey Atherton [2006]
The Odyssey
translated from Homer by George Chapman [1614]
The German Tradition of Psychology
in Literature and Thought, 1700-1840

by Matthew Bell [2005]
Sixty Poems of Martial, in translation
by Dudley Fitts [1967]
Fourth-Century Styles in Greek Sculpture
by Brunilde Sismondo Ridgway [1997]
Mass and Elite in Democratic Athens:
Rhetoric, Ideology, and the
Power of the People

by Josiah Ober [1989]
Extremely Loud & Incredibly Close
by Jonathan Safran Foer [2005]
spring 2007
The Craft of Poetic Speech in Ancient Greece
by Claude Calame [1995 English translation]
Allusions and Intertext:
Dynamics of Appropriation in Roman Poetry

by Stephen Hinds [1996]
summer 2007
The History of the Peloponnesian War
by Thucydides [431 BCE]
The Stranger
by Albert Camus [1942]
The Bell Jar
by Sylvia Plath [1963]
Dubliners
by James Joyce [1914]
Illuminations
by Walter Benjamin [1969]
Oedipus at Colonus:
Sophocles, Athens, and the World

by Andreas Markantanotos [2007]
Human, All Too Human
by Friedrich Nietsche [1878]
Ovid- The Erotic Poems
translated by Peter Green [1982]
Candide
by Voltaire [1759]
The Sorrows of Young Werther
by Johann Wolfgang von Goethe [1774]
fall 2007
Choke
by Chuck Palahniuk [2001]
Thus Spoke Zarathustra
by Friedrich Nietzsche [1883]
The Cambridge Companion to Greek Tragedy
edited by P. E. Easterling [1997]
A Poetry Handbook
by Mary Oliver [1994]
The Latin Sexual Vocabulary
by J. N. Adams [1982]
spring 2008
Word Order in Greek Tragic Dialogue
by Helma Dik [2007]
Wintering
by Kate Moses [2003]
A History of Greek Literature:
From Homer to the Hellenistic Period

by Albrecht Dihle [1991]
Njal's Saga
by author unknown
Brave New World
by Aldous Huxley [1932]
Gorgias
by Plato
The Saga of the Volsungs
by author unknown
The Poetic Edda
by author unknown [various dates]
Reflections:
Essays, Aphorisms, and
Autobiographical Writings

by Walter Benjamin [1978]
Doctor Faustus
by Christopher Marlowe [1592]
The Nibelungenlied
by an unknown poet [1200]
Reading Greek Tragedy
by Simon Goldhill [1986]
Phaedrus
by Plato
The Power of Images
in the Age of Augustus

by Paul Zanker [1988]
Caesar's Civil War
by William W. Batstone
and Cynthia Damon
[2006]
Caesar: The Civil War
translation by John Carter [1998]
summer 2008
Before You Leap:
A Frog's-Eye View of Life's
Greatest Lessons

by Kermit the Frog [2006]
Edda
by Snorri Sturluson [1220]
Selected Poems
by T. S. Eliot [1930]
The Elements of Style Illustrated
by Strunk and White [1929]
100 Years of Solitude
by Gabriel Garcia Marquez [1967]
Not Much Fun: The Lost Poems of Dorothy Parker
by Dorothy Parker [1996]
Collected Poems
by Emily Dickinson []
Byron's Poetry
by George Gordon, Lord Byron []
Small Gods
by Terry Pratchett [1994]
Memories of My Melancholy Whores
by Gabriel Garcia Marquez [2004]
On The Road
by Jack Kerouac [1951]
fall 2008
Greek Love Reconsidered
by Thomas K. Hubbard [2000]
On Translating Homer
by Matthew Arnold [1862]
The Invention of Love
by Tom Stoppard [1998]
Erotic Tales of Medieval Germany
by Albrecht Classen [2007]
Long, Long Ago
by Alexander Woollcott [1943]
In the Vineyard of the Text:
A Commentary to Hugh's Didascalicon

by Ivan Illich [1996]
The Communist Manifesto
by Karl Marx and Friedrich Engels [1847]
Selected Poems
by Elizabeth Barrett Browning [1988]
Textual Criticism
by Paul Maas [1958]
Medieval Studies: An Introduction
(Second Edition)

edited by James M. Powell [1992]
Juvenal: The Sixteen Satires
translated by Peter Green [1974]
Latin Paleography: Antiquity
and the Middle Ages

by Bernhard Bischoff [1979]
Less Than Zero
by Bret Easton Ellis [1985]
The Complete Fairy Tales of the Brothers Grimm
translated by Jack Zipes [2003]
Old Christmas
by Washington Irving [1819]
spring 2009
Heinrich von Kleist: Plays
edited by Walter Hinderer [1982]
East of the Sun
and West of the Moon

illustrated by Kay Nielsen [1914]
The History of Make-Believe:
Tacitus on Imperial Rome

by Holly Haynes [2003]
The Pooh Perplex
by Frederick Crews [2003]
Over to You: Ten stories
of fliers and flying

by Roald Dahl [1946]
Pride and Prejudice
by Jane Austen [1813]
The History of Sexuality, Volume I:
An Introduction

by Michel Foucault [1976]
The History of Sexuality, Volume II:
The Use of Pleasure

by Michel Foucault [1985] The History of Sexuality, Volume III:
The Care of the Self

by Michel Foucault [1980]
1976 The Sandman: Endless Nights
by Neil Gaiman [2003]
The Poems of Wilfred Owen
collected by Jon Stallworthy [1986]
Wykked Wyves and the Woes of Marriage:
Misogamous Literature From Juvenal to Chaucer

by Elizabeth M. Makowski and Katharina M. Wilson [1990]
Good Omens: The Nice
and Accurate Prophecies
of Agnes Nutter, Witch

by Terry Pratchett and Neil Gaiman [1990]
Breakfast at Tiffany's
by Truman Capote [1950]
Greek Word Order
by K. J. Dover [1960]
Caesar's Calendar: Ancient Time
and the Beginnings of History

by Denis Feeney [2007]
Latin Language and Latin Culture
from ancient to modern times

by Joseph Farrell [2001]
Old Christmas
by Washington Irving [1824]
The Annals
by Tacitus, A. J. Woodman trans. [2004]
40 Short Stories:
A Portable Anthology, Second Edition

by Beverly Lawn [2004]







HAUNTS:
Archaeology
Get Fuzzy

*TASKS: *
:: read another book ::
:: study, like a good egg ::

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Of course, I did not create this template myself. These people did:

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Did It Die?
Thursday, March 22, 2007

Der Grair Bär and I met this afternoon in a meeting which I found most constructive. He had edited my paper and offered only a few minor alterations as to form and content. I tend to overpack sentences and wrote several disjointed paragraphs in which these sentences did not causally relate to one another. But overall Dr. Grair seemed impressed that I could write well; he stressed that I just need to focus.

I began with copious background, but did not begin any poetic analysis until the third page. Dr. Grair pointed out that I introduced plenty of viable ideas before analyzing the poems, but needed to save them for later or elaborate further. Mainly, I must elucidate the main "argument" or topic of how Goethe uses the Elegies to establish a distance from modernity. I made no mention of this little item until the second page.

For our next meeting I am to restrict myself to one poem of the cycle for analysis, which ought to be relatively straightforward. The pertinent secondary material I incorporated earlier could be moved, in certain cases, to this section.

However, before beginning revisions and writing the next section for Dr. Grair, I must compose a five-page expository on public and private in Roman satire for Dr. Larmour. He graciously moved the assignment from being due tomorrow to being due at his office sometime Monday, for which I am eternally grateful, as tonight I must work until two in the morning and would, therefore, have no time to write anything. This afternoon I am checking out books of the satirists to take to the Lauree Lair for close reading.

Was für ein Spaß.


    [Lauree Frances Keith concluded this diatribe at 1:03 PM]



The Big City
Thursday, March 15, 2007

Rebekah and I leave for Amarillo tomorrow at ten. I expect the trip to be unexciting, but a welcome change from sitting at the coffee shop poring over articles about Goethe, as I have been doing the past several days. I enjoy the work, but it becomes monotonous after a while.

This evening I need to finish taking notes over certain of the Elegies, so that upon my return Saturday I can concentrate on Latin satire for an exam Wednesday. The Greek exam is Friday, for which I am thoroughly unprepared. Oh, well. I am exhausted.


    [Lauree Frances Keith concluded this diatribe at 3:12 PM]



Alone In Your Room
Tuesday, March 13, 2007

Yesterday Rebekah and I ate stuffed spuds for dinner and baked blackberry cobbler as we watched Clue. Ich liebe Tim Curry. We ate the entire pan (four servings) between the two of us, finishing the last toward the end of watching Batman (das Erste). The time to relax was good for me, ich glaube.

For Friday, Rebekah has invited me to accompany her to Amarillo for an afternoon trip to examine beer and wine displays for a company interested in hiring her. She received a phone call yesterday about attending a third interview session, in Dallas, flight and food paid. She genuinely wants to work for this company after she graduates, and I am thrilled they seem as interested in her.


    [Lauree Frances Keith concluded this diatribe at 11:26 AM]



The English Is Heinous
Sunday, March 11, 2007

Is it worth the waiting for
if we live till eighty-four?
All we ever get is gruel.
Every day we say a prayer:
Will they change the bill of fare?
Still we get the same old gruel.

Dr. Lavigne caught me reading an article about the scripta puella in Propertian elegy, something about which he is apparently writing currently, so he chatted with me for a few minutes on the subject. I had begun reading the article in conjunction with my studies of Goethe's Römische Elegien, for the conclusion of one of his elegies resounds very closely with the third poem from Propertius' first book.

The article also helped me narrow down the broad fifth topic (the role of deities) I had originally set about to write into my paper to the more specific question of how Goethe characterizes Amor: as a cute little Cupid or a primordial force? Over the break, though, I must first write about Goethe's attitudes toward north vs. south/ German vs. Italian, in about five pages due the twenty-second. Every two weeks afterward I am to have written on the next three topics (vaguely, social reprobation, the female figure, and renewal) in addition to the aforementioned fifth theme. It seems like a workable plan.


    [Lauree Frances Keith concluded this diatribe at 1:28 PM]



Gritty Lipstick
Thursday, March 08, 2007

Monday as we walked back to the foreign language building from the arena where University Day was held, Dr. Lavigne brought up the subject of my graduate study. He opines I ought to remain in the armpit of America for yet another two tortuous years for the M.A., as does Dr. Larmour, but I would almost rather take a year or two off, if no real graduate program accepts me, than stick around a place where I loathe everything.

Dr. Lavigne granted that the B.A. program counts for nothing, but I suspect, for me, the M.A. program would do little better. Dr. Lavigne and Dr. Larmour simply do not specialize in the areas I would like to study most over the next few years. Dr. Holland, as Adrian-Mikki once described him, has forgotten more than I could ever hope to learn, but he also plans to retire very soon. I would love to read Cicero, who is an author Dr. Holland originally had us read in my first senior-level Latin class, but the other students wanted to read easier things. A philosophy graduate student friend of mine recently asked me, "Why Cicero?"

Because he was a dick, both in personality and writing style. I find that hilarious and oddly endearing. His passages might be tedious, but the end result would be worth the time I would spend in utter confusion.

The great thing about studying in Lubbock, Texas, is that there are no distractions. This is concurrently the bad thing about studying in Lubbock, Texas. I spend hours at the coffee shop, but I do not care for coffee. I only go there because I get twitchy sitting alone at the Lair. Bars and low-class clubs consist of the only alternative entertainment. I cannot afford to go to the movies often and, as hardly anything of interest comes out, anyway, I have little desire to do so.

On especially horrid days, wind gusts reach thirty-five or forty miles an hour, blowing dirt into any exposed cranny of my body, knocking me off my bike, ripping the hat off my head, etc. I hate that.


    [Lauree Frances Keith concluded this diatribe at 2:29 PM]



Fallen Off The Face Of The Earth
Sunday, March 04, 2007

Yesterday after working out I saw someone I worked with in high school. She mentioned offhandedly that I had fallen off the planet, which I suppose must be true, considering I never see anyone, even the people I know in Lubbock, unless I happen to have class with them. Plenty of people, however, seem to see me everywhere: at the Bibliothek, going to and from work or school on my Fahrrad, at the grocery store, at the Rec, at the coffee shop... I simply cannot stand to sit around the Lair for long, is all.

This semester I gained all my weight back from freshman year, since I haven't had time to work out on as regular a routine as I had developed starting last summer. So this afternoon, after I finish a Greek project, I am going to go swimming before work time. Viel Spaß.

Tomorrow morning I have to sit at a table with Dr. Lavigne and Adrian-Mikki for three hours to promote the Classics society, which should give me plenty of time to clear up matters regarding specifics of this Greek project. Then in the afternoon I will nap, do some Latin, and go in for another nightmarish evening at work.


    [Lauree Frances Keith concluded this diatribe at 12:01 PM]





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