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*SELF-HELP FROM OTHERS: *

You say I need a job
I got my own business
You wanna know what I do?
None of your fucking business!
Fugazi- "Repeater"

Everything I like to do is either illegal, immoral, or fattening.
Alexander Woolcott

You can only be young once
but you can always be immature.
Dave Barry

It is convenient
that there should be gods,
so let us believe that there are!
Ovid

The colon has more effect than the comma,
less power to separate than the semicolon,
and more formality than the dash.
Strunk and White
The Elements of Style




*BOOKS CURRENTLY READING: *
The Collected Poems of W. B. Yeats
by W. B. Yeats [1996]
Engineering in the Ancient World:
Revised Edition

by J. G. Landels [2000]
The Meters of Greek and Latin Poetry
by James W. Halporn [1994]
European Literature
And the Latin Middle Ages

by Ernst Robert Curtius [1973]
The Jugurthine War and
The Conspiracy of Catiline

by Sallust [1963 translation]
Introduction to Manuscript Studies
by Raymond Clemens [2007]
Anthology of European Romantic Poetry
by Michael Ferber [2005]

*BOOKS COMPLETED: *
summer 2005
The Aeneid
by Vergil [trans. 1981]
Romaji Diary and Sad Toys
by Takuboku Ishikawa [1909 & 1912]
Greece in the Making: 1200-429 BC
by Robin Osborne [1996]
Spectacles of Death in Ancient Rome
by Donald G. Kyle [1998]
Roman Aqueducts and Water Supply
by A. Trevor Hodge [1992]
fall 2005
What's The Matter With Kansas?
by Thomas Frank [2004]
Maus II
by Art Spiegelman [1986]
Sapphics Against Anger
by Timothy Steele [1986]
The Diamond Age
or A Young Lady's Illustrated Primer

by Neal Stephenson [1995]
The Decline and Fall of the Roman Empire
by Edward Gibbon
[abrdg. 1987]
spring 2006
Law, Sexuality, and Society:
The Enforcement of Morals in Classical Athens

by David Cohen [1991]
Kosmos: Essays in Order,
Conflict and Community in Classical Athens

edited by Paul Cartledge, Paul Millett
and Sitta von Reden [1998]
summer 2006
As The Romans Did: A Sourcebook
In Roman Social History (Second Edition)
by
Jo-Ann Shelton [1998]
Franz Kafka: The Complete Stories
by Franz Kafka [trans. 1971]
Understanding Greek Vases:
A Guide to Terms, Styles, and Techniques

by Andrew J. Clark, Maya Elston,
and Mary Louise Hart [2002]
The Annals of Imperial Rome
by Tacitus [trans. 1956]
Four Plays By Aristophanes
by Aristophanes [trans. 1961/1962/1964]
Early Greek Vase Painting
by John Boardman [1998]
The Iliad
by Homer [trans. 1974]
The Reign of the Phallus:
Sexual Politics in Ancient Athens

by Eva C. Keuls [1985]
Crabwalk
by Günter Grass [2002]
The Picture of Dorian Gray
by Oscar Wilde [1891]
A Portrait of the Artist as a Young Man
by James Joyce [1916]
The Poetry of Friedrich Nietzsche
by Philip Grundlehner [1986]
Ancient Greek Laws: A Sourcebook
by Ilias Arnaoutoglou [1998]
Pu der Bär
by A. A. Milne [deutsch edition: 1973]
Interpreting Greek Tragedy:
Myth, Poetry, Text

by Charles Segal [1986]
Greek Tragedy
by Erich Segal [1983]
Revenge in Attic and Later Greek Tragedy
by Anne Pippin Burnett [1998]
The Birth of Tragedy
by Friedrich Nietzsche [1871]
fall 2006
Art and Experience in Classical Greece
by J. J. Pollitt [1972]
The Oresteia
by Aeschylus [date forgotten]
Greek Sculpture: The Late Classical Period
by John Boardman [1995]
The Sculptures of the Parthenon:
Aesthetics and Interpretation

by Margaretha Rossholm Lagerlöf [2000]
The Decline and Fall of Virgil
in Eighteenth-Century Germany
THE REPRESSED MUSE

by Geoffrey Atherton [2006]
The Odyssey
translated from Homer by George Chapman [1614]
The German Tradition of Psychology
in Literature and Thought, 1700-1840

by Matthew Bell [2005]
Sixty Poems of Martial, in translation
by Dudley Fitts [1967]
Fourth-Century Styles in Greek Sculpture
by Brunilde Sismondo Ridgway [1997]
Mass and Elite in Democratic Athens:
Rhetoric, Ideology, and the
Power of the People

by Josiah Ober [1989]
Extremely Loud & Incredibly Close
by Jonathan Safran Foer [2005]
spring 2007
The Craft of Poetic Speech in Ancient Greece
by Claude Calame [1995 English translation]
Allusions and Intertext:
Dynamics of Appropriation in Roman Poetry

by Stephen Hinds [1996]
summer 2007
The History of the Peloponnesian War
by Thucydides [431 BCE]
The Stranger
by Albert Camus [1942]
The Bell Jar
by Sylvia Plath [1963]
Dubliners
by James Joyce [1914]
Illuminations
by Walter Benjamin [1969]
Oedipus at Colonus:
Sophocles, Athens, and the World

by Andreas Markantanotos [2007]
Human, All Too Human
by Friedrich Nietsche [1878]
Ovid- The Erotic Poems
translated by Peter Green [1982]
Candide
by Voltaire [1759]
The Sorrows of Young Werther
by Johann Wolfgang von Goethe [1774]
fall 2007
Choke
by Chuck Palahniuk [2001]
Thus Spoke Zarathustra
by Friedrich Nietzsche [1883]
The Cambridge Companion to Greek Tragedy
edited by P. E. Easterling [1997]
A Poetry Handbook
by Mary Oliver [1994]
The Latin Sexual Vocabulary
by J. N. Adams [1982]
spring 2008
Word Order in Greek Tragic Dialogue
by Helma Dik [2007]
Wintering
by Kate Moses [2003]
A History of Greek Literature:
From Homer to the Hellenistic Period

by Albrecht Dihle [1991]
Njal's Saga
by author unknown
Brave New World
by Aldous Huxley [1932]
Gorgias
by Plato
The Saga of the Volsungs
by author unknown
The Poetic Edda
by author unknown [various dates]
Reflections:
Essays, Aphorisms, and
Autobiographical Writings

by Walter Benjamin [1978]
Doctor Faustus
by Christopher Marlowe [1592]
The Nibelungenlied
by an unknown poet [1200]
Reading Greek Tragedy
by Simon Goldhill [1986]
Phaedrus
by Plato
The Power of Images
in the Age of Augustus

by Paul Zanker [1988]
Caesar's Civil War
by William W. Batstone
and Cynthia Damon
[2006]
Caesar: The Civil War
translation by John Carter [1998]
summer 2008
Before You Leap:
A Frog's-Eye View of Life's
Greatest Lessons

by Kermit the Frog [2006]
Edda
by Snorri Sturluson [1220]
Selected Poems
by T. S. Eliot [1930]
The Elements of Style Illustrated
by Strunk and White [1929]
100 Years of Solitude
by Gabriel Garcia Marquez [1967]
Not Much Fun: The Lost Poems of Dorothy Parker
by Dorothy Parker [1996]
Collected Poems
by Emily Dickinson []
Byron's Poetry
by George Gordon, Lord Byron []
Small Gods
by Terry Pratchett [1994]
Memories of My Melancholy Whores
by Gabriel Garcia Marquez [2004]
On The Road
by Jack Kerouac [1951]
fall 2008
Greek Love Reconsidered
by Thomas K. Hubbard [2000]
On Translating Homer
by Matthew Arnold [1862]
The Invention of Love
by Tom Stoppard [1998]
Erotic Tales of Medieval Germany
by Albrecht Classen [2007]
Long, Long Ago
by Alexander Woollcott [1943]
In the Vineyard of the Text:
A Commentary to Hugh's Didascalicon

by Ivan Illich [1996]
The Communist Manifesto
by Karl Marx and Friedrich Engels [1847]
Selected Poems
by Elizabeth Barrett Browning [1988]
Textual Criticism
by Paul Maas [1958]
Medieval Studies: An Introduction
(Second Edition)

edited by James M. Powell [1992]
Juvenal: The Sixteen Satires
translated by Peter Green [1974]
Latin Paleography: Antiquity
and the Middle Ages

by Bernhard Bischoff [1979]
Less Than Zero
by Bret Easton Ellis [1985]
The Complete Fairy Tales of the Brothers Grimm
translated by Jack Zipes [2003]
Old Christmas
by Washington Irving [1819]
spring 2009
Heinrich von Kleist: Plays
edited by Walter Hinderer [1982]
East of the Sun
and West of the Moon

illustrated by Kay Nielsen [1914]
The History of Make-Believe:
Tacitus on Imperial Rome

by Holly Haynes [2003]
The Pooh Perplex
by Frederick Crews [2003]
Over to You: Ten stories
of fliers and flying

by Roald Dahl [1946]
Pride and Prejudice
by Jane Austen [1813]
The History of Sexuality, Volume I:
An Introduction

by Michel Foucault [1976]
The History of Sexuality, Volume II:
The Use of Pleasure

by Michel Foucault [1985] The History of Sexuality, Volume III:
The Care of the Self

by Michel Foucault [1980]
1976 The Sandman: Endless Nights
by Neil Gaiman [2003]
The Poems of Wilfred Owen
collected by Jon Stallworthy [1986]
Wykked Wyves and the Woes of Marriage:
Misogamous Literature From Juvenal to Chaucer

by Elizabeth M. Makowski and Katharina M. Wilson [1990]
Good Omens: The Nice
and Accurate Prophecies
of Agnes Nutter, Witch

by Terry Pratchett and Neil Gaiman [1990]
Breakfast at Tiffany's
by Truman Capote [1950]
Greek Word Order
by K. J. Dover [1960]
Caesar's Calendar: Ancient Time
and the Beginnings of History

by Denis Feeney [2007]
Latin Language and Latin Culture
from ancient to modern times

by Joseph Farrell [2001]
Old Christmas
by Washington Irving [1824]
The Annals
by Tacitus, A. J. Woodman trans. [2004]
40 Short Stories:
A Portable Anthology, Second Edition

by Beverly Lawn [2004]







HAUNTS:
Archaeology
Get Fuzzy

*TASKS: *
:: read another book ::
:: study, like a good egg ::

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Of course, I did not create this template myself. These people did:

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He Who Saves The Life Of One...
Wednesday, March 09, 2005

I donated blood at the library this afternoon. The shirt I received reads, "Today I donated blood. I saved a life!" Below that I am going to write, "Bitch". Since I saved "the world entire", I decided I never have to do anything good ever again, so I skipped all my classes. I felt liberated.

I e-mailed The Father Friday, because I needed certain information out of him for filing the FAFSA. He didn't respond over the weekend, so Monday I e-mailed him at his work address to see if he had gotten the one I sent to their home:
Father:

Did you receive the e-mail I sent Friday to -----@pdq.net? I would
appreciate that information before midweek. Also, you may need to find your
FAFSA PIN to electronically sign the application.

-your child
This morning he sent this:
Lauree,

You will get a much faster response from us if you would just find it
possible to do two things:

1. Email us at home. I was not at work these last two days. Despite what you are insinuating, I receive every email you send to OUR home email address. I also, just in case it still hasn't sunk in, send every email from this address home so we can have it saved on our home computer.
2. If you want something from US, ask nicely. I know some words like "...could you please forward to me...", "...I would be grateful if...", and "...thankyou for the info..." are not normally in your vocabulary; but using them would go a long way for you to get things that you want in a timely manner.

-your father

btw...since, by your signature, you feel it is necessary to remind me that
you are my child; by my signature, I feel it is necessary to remind you
that I am your father.
I replied to this angrily, but I did refrain from correcting his grammar mistakes:
Father:

The first e-mail I sent was admittedly more brusque and impolite than usual, though I did add "Danke schon" at the end. You know full well what "danke schon" means! I figured that would do- I typed it hurriedly because I had to go to work soon and I worried I would forget later. Friday I sent it to your home address, as you have requested I do. I know you and Terri check that e-mail regularly, and when I had received no response by Monday I worried you hadn't received it somehow, thusly I e-mailed you at work. I didn't "insinuate" anything- we have enough communication difficulties as it is, so please try to read my few correspondences calmly. I certainly don't TRY to write anything upsetting. I'm not "demanding" that you e-mail me immediately- I know you have other things to do and that it requires time, especially when I request information (such as tax stuff) you might not have even gathered yet- but if you think something might take more than a day or two, just e-mail me back to let me know. I'm patient, and I can wait, it's simply the not-knowing that makes me a little anxious.

Second, when you feel I have injured or insulted you in some way, insulting me back does not serve you well. If you do desire I take a respectful tone of voice when I address you, then make yourself worthy again of my respect, of which I granted you a tremendous amount my entire life because you then did deserve it. You rarely displayed this sort of meanness when I was a child, and it still shocks me more than a little that you are even capable of doing so, though I suppose everyone is. Behaving basely when I am rude merely emphasizes that you don't want to move forward.

Also, when I write letters to you, I am writing them to YOU, not YOU ALL. I understand quite well that Terri [Hi!] reviews and apparently critiques everything I write, but I do not write them for her. That I do not do so is not supposed to indicate anything against her; I'm not being exclusive, but I do still consider my e-mails, phone calls, etc. to be private ones to you, which you choose to share with her regardless of my wishes.

Something you both seem to have been ignorant of from the day you married is that Terri is not my mother, nor is she my legal guardian- you married the month before I turned nineteen! You've been married barely a year. You took me into your new home and expected me to regard Terri as an authority figure, but the simple fact of the matter is that she isn't. That means nothing negative, and it does not mean I could not have come to view her with more affection. I liked Terri immediately, but you both expected me to behave as though I had known her my entire life. I like Terri genuinely, but she does have her limits with me, and I, in turn, have limits with regard to her. Not once in her/your/but not my house did I ever raise my voice or talk back to her, no matter how upset or wronged I felt. I cannot yell and stomp my feet at anyone to whom I am not intimately related.

You told me to go to her, for instance, when I needed to make payments and deposits for school- I felt extremely uncomfortable asking a woman I had barely met to write checks for my schooling; asking YOU for money is discomfiting enough. I didn't appreciate being put in that position, but when I told you that at the time, you shrugged me off, saying Terri was in charge of financial stuff. That you share one account is perfectly reasonable, but how am I supposed to ask someone I don't know well to send money somewhere on my behalf, making her responsible? If Terri was the only person who had time to make online payments and such, why couldn't you have left her a note or something, instead of forcing me to do something you knew I felt awkward about? You accuse me of constantly making demands- even saying "please", I was still "telling" Terri I needed money, which is more of a commanding action.

Terri isn't my mom. I can't just walk up and say- "Hey, I need this..." She isn't obligated to me for anything, whether or not she is willing to be. Accepting anything from her- the rides every day to work, her doing my dishes every night, her doing my laundry, etc.- made me extremely nervous only partly because I knew I could never express my appreciation adequately enough. You both keep a mental account of what I owe for every resource I use- the too-long showers, the accelerated rate at which the bar soap disappears, long-distance phone calls lasting more than five or ten minutes, additional laundry loads, the extra food (tuna) you bought last summer, the money I have to someday in the future repay for the PLUS loan you took out- but no amount of "would-you-pleases" has seemed to dispel your resentment.

If you couldn't afford to pay for my college, you shouldn't have told me you would. If you minded paying higher utility bills, then you shouldn't have invited/forced me to live with you. If you feel I took these things for granted, perhaps you ought to consider I did so partly because you enabled me to.

In near conclusion (and I swear absolutely I AM NOT BEING SARCASTIC), could you please, with cherries on top, (all right- that might be sarcastic, but how could I resist?) send me the information I requested? If not, I would indeed appreciate your letting me know, so that I may figure out how many and how much in private loans I need to take out.

Also, bond money- negligible in the grand scheme of things, but perhaps I can get a computer or contribute to a down payment on a car- could you please provide specifics with how and when I might acquire that? And at the end of the semester I presume your company no longer covers my insurance- what, exactly, am I losing, and what do I then need to seek out? Will I need to provide past records when I apply for insurance? In addition, if I need "x" medical record for "y" reason, would you have that, or should I contact Dr. Gillick's office?

I thought I might include a Lauree Update, for good things have happened to me lately, but I am reluctant because I suspect you might not care. If you do, I would appreciate your indicating thus more than all of the above.

And thank-you for the reminder, but I do not require a reiteration of who my father is. On my wall is a Marx Brothers movie poster reproduced in tin. I listen to albums by Willie Nelson, the Rolling Stones, the Who, Eric Clapton Lynyrd Skynyrd, Janis Joplin, and Jethro Tull. I ask for "soda" or "soda pop", never "coke" (the graduate linguistics advisor I met with last semester thought I was from the midwest). I still have the college Latin textbook I stole from your closet in eighth grade. I am a declared double-major in Classics (history minor) and German (philosophy minor). Your third-grade picture is framed on a shelf and next to the photograph of me with my mother. The only sports I ever watch and am somewhat versed in are golf, baseball, basketball, and Nascar racing. I know what is written on Thomas Jefferson's gravestone. Morgan Freeman is probably my favorite contemporary actor. You wouldn't like some sixty percent of my college friends, because they are architect majors. I don't drink because I didn't grow up with alcohol in any context besides its association with barbecuing and occasional football-viewing. I enjoy reading quick novels about detective characters who must determine who keeps raping and mutilating attractive women for unfathomable (but usually occult) reasons, because you had a whole stack of such literature in your closet. Anyone in a wheelchair irritates me for reasons ineffable. These things and innumerable others I can never eradicate from my dorm room or from my being. I am proud of these things that have made me who I am.

You have a copy of my birth certificate, two or three boxes containing my high school letter jacket and European history notes, photographs in albums that are stored in boxes you never intend to reopen except to file the albums away elsewhere, a set of yellow towels, and an air mattress. You do not love me and you have never felt a moment of pride that I am yours- it is all quite evident by the fact that the moment I left your domicile you did not then frame the air mattress and nail it to your bedroom wall.

-The Daughter


    [Lauree Frances Keith concluded this diatribe at 9:59 PM]





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